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#1 The Filmmaker’s Guide To Audio - Brenden Bytheway
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The Filmmaker’s Guide to Audio - Brenden Bytheway

The Filmmaker’s Guide to Audio – Brenden Bytheway

$69.00

Trying to achieve Hollywood-level audio quality when you’re a one-man team could be disastrous and really put a dent in the value of your production. That’s exactly why I created The Filmmaker’s Guide to Audio.

Purchase The Filmmaker’s Guide to Audio – Brenden Bytheway at Aibox! You get access to all files. Direct Download Link and No costs are incurred (No Ads, No Waiting Time, No Capcha). Our courses come with a lifetime warranty, we're always here to help if you need it.

The Filmmaker’s Guide to Audio – Brenden Bytheway course is available you will get immediately after payment only $497 $69.

What will you get:

The Filmmaker’s Guide to Audio – Brenden Bytheway – 4.6 GB (79 files)

  1. That Audio Guy – 270 KB
  2. That Audio Guy’_categories_382865_posts_1678879(1) – 164 KB
  3. That Audio Guy’_categories_382865_posts_1678893(1) – 195 KB
  4. That Audio Guy’_categories_382865_posts_1678894(1) – 145KB
  5. That Audio Guy’_categories_382865_posts_1679801(1) – 155 KB
  6. 1-INTRO – WATCH ME FIRST – 15.7 MB
  7. 2-Microphones and What to Buy 5 – 34.6 MB
  8. 3-Different Types of Microphones FS – 32.3 MB
  9. 4-Large Diaphragm Microphone. – 78.4 MB
  10. 5-Lavalier Microphone ‘S – 37 MB
  11. 6-XY Microphone np – 101.9 MB
  12. 7-Microphone Overview – 372.1 MB
  13. 8-Recording and Capturing Audio TS – 30.4 MB
  14. 9- Speakers-Headphones and What to Buy FS – 62.4 MB
  15. 10-Audio Software – 28.3 MB
  16. 11 -What Gear do YOU Need as a Filmmaker – 16.6 MB
  17. 12-What Gear do We Use- TS – 29.4 MB
  18. 13-Recording.TS – 30 MB
  19. 14-Recording at Healthy Levels – 71.4 MB
  20. 15-Signal to Noise Ratio.TS – 33.3 MB
  21. 16-Dat Reverb Doe – 65.9 MB
  22. 17-Dealing with Wind p4 – 67.6 MB
  23. 18-Other Things to Know When Recording and Comfort 101.TS – 24.9 MB
  24. 19-Howto Use Your Mies  – 4.3 MB
  25. 20-How to Use a Boom TS – 126.6 MB
  26. 21 -How to Use Lav Mies (Miking and Hiding Lav) TS – 199.5 MB
  27. 22-Take a Breather S – 14.5 MB
  28. 23-What is EQ.TS – 15.8 MB
  29. 24-Understanding EQ (Using Adobe Premiere).TS – 35.8 MB
  30. 25-General EQ Areas to Think About ‘S – 63.6 MB
  31. 26-Dialogue EQ Areas to Think About TS – 160.7 MB
  32. 27-Lav EQ Touchup (Lav Pt. 2).TS – 65.3 MB
  33. 28-What is Compression- S – 17.4 MB
  34. 29-Understanding a Compressor S – 99.4 MB
  35. 30-Effects of Compression on Dialogue TS  – 38.4 MB
  36. 31-How a Compressor REALLY Works.TS – 58.7 MB
  37. 32-Other Sound Tools to Know – 22.6 MB
  38. 33-Using a Frequency Analyzer – 33.5 MB
  39. 34-Understanding Loudness – 70.2 MB
  40. 35-Believability and Consistency – 33.2 MB
  41. 36-Sound Design S – 72.2 MB
  42. 37-Cutting Music (intro & Things to Think About) – 15.7 MB
  43. 38-Cutting Music S – 51.3 MB
  44. 39-Simple Audio Tricks to Sell Your Film (INTRO) – 3.8 MB
  45. 40-Simple Audio Tricks to Sell Your Film – 87.5 MB
  46. 41-Communication-Sound Mix vs. Sound Design – 21.5MB
  47. 42-The Mixing Cycle – 86.3 MB
  48. 43-Balancing Music SFX, and Dialogue S – 68.9 MB
  49. 44-lmprove Your Sound with Reference Tracks S – 33.9 MB
  50. 45-Mixing Tips In the Real World (Intro) TS – 4.2 MB
  51. 46-Level Music with EQ and a Limiter TS – 68.9 MB
  52. 47-Mixing Dialogue & Music (Commercial-Interview) S – 112.8 MB
  53. 48-Balancing Different Actors and Microphones TS – 106.1MB
  54. 49-Tips for VO (Gear & Touchup).TS – 88 MB
  55. 50-Catering to Multiple Devices TS – 44.3 MB
  56. 51 -Cleaning Less-Than-Perfect Audio (INTRO) TS – 9.5 MB
  57.  52-Lav Clothes & Scratch Clean Up (Lav Pt. 3) TS – 198.1 MB
  58. 53-Cleaning Bad Camera Audio TS – 79.3 MB
  59. 54-Dealing with Clipped Audio (Hint don’t DO IT!) (Pt. 1) – 51.7 MB
  60. 55- De-Clip Distorted Audio (Looking at RX and other Examples) (Pt. 2) TS – 48.1 MB
  61. 56-Clean AC-Machine Hum.TS – 30.8 MB
  62. 57-Get ADR to Sit Right TS – 109.1 MB
  63. 58-Creatively Thinking About Sound Design – 106 MB
  64. 59-Creating Film Trailer Swells- Stacking SFX S – 106.1MB
  65. 60-Sound Design- Cool Sword Hit S – 81.9 MB
  66. 61 -Make Your Videos Sound 80’s 5 – 140.3 MB
  67. 62-Fire & Ice Sound Design Breakdown ‘S – 244 MB
  68. Cutting Music, Shorten a Song w Long Drawn out Chords – FORGIVE MY AUDIO!! TS – 11.2 MB
  69. My Workflow That Audio Guy TS – 235.3 MB
  70. Processing Cleaned Audio TS – 37.7 MB
  71. Quick Tips for the Zoom H6 & H4n TS – 46.1 MB
  72. Set Levels for Sennheiser G3 Lav Transmitter Pack TS – 14.9 MB
  73. That Audio Guy’_categories_370796_posts_1176448(1) – 176 KB
  74. That Audio Guy’_categories_382865_posts_1678874(1) – 226 KB
  75. That Audio Guy’_categories_382865_posts_1678904(1) – 141 KB
  76. That Audio Guy (2) g – 813 KB
  77. That Audio Guy'(3) g – 277 KB
  78. That Audio Guy(1) – 286 KB
  79. What to do with BAD CAMERA AUDIO – NOT MUCH I’LL TELL YOU THAT RIGHT NOW – 83.4 MB

The Filmmaker’s Guide to Audio

Hey guys, my name is Brenden Bytheway. I’m a song writer, producer, and recording/mixing engineer. I’ve been able to have my music heard by over 1 billion people. I’ve been lucky enough to have songs featured in some of the biggest TV shows, worked with top celebrities, and some of the biggest names in the industry. I’ve also done lots of audio work for some of the world’s top brands.

Working with these clients has taught me a lot about audio production and the film industry and I want to share some of the things i’ve learned with you. Quality audio and sound is a very important part of good filmmaking. Trying to achieve Hollywood-level audio quality when you’re a one-man team could be disastrous and really put a dent in the value of your production.

That’s exactly why I created The Filmmaker’s Guide to Audio. Because I wanted to create a solution to help YOU as a filmmaker finally understand audio. Sign up now and you’ll get instant access to The Filmmaker’s Guide to Audio course where I’ll give you the tools and the information that you need to ensure top-notch audio in your productions.

I also offer a FREE training where I go over the 6 biggest mistakes I see filmmakers making when it comes to audio. In the training, I’ll also show you the solution to those mistakes. You can sign up for it here:

The Filmmaker’s Guide to Audio

Quality audio and sound is a very important part of good filmmaking. Trying to achieve Hollywood-level audio quality when you’re a one-man team could be disastrous and really put a dent in the value of your production. That’s exactly why I created The Filmmaker’s Guide to Audio.

Because I wanted to create a solution to help YOU as a filmmaker finally understand audio. Sign up now and you’ll get instant access to The Filmmaker’s Guide to Audio course where I’ll give you the tools and the information that you need to ensure top-notch audio in your productions.

Included in this course:

  • Over 80 no-fluff, straight-to-the-point videos, amounting to over 14 total hours
  • Understanding essential audio tools so you can know how to instantly double the value of your videos
  • Advanced audio techniques including cleaning up scratchy lav audio (rubbing against clothes) cleaning up dirty camera audio and noise like hum or air conditioning
  • Always expanding database of videos
  • Access to an exclusive online community filled with like-minded individuals
  • Student discounts on your favorite products such as:
    • Adobe CC (over 60% off regular membership!)
    • Red Giant
    • Glidecam
    • Artlist.io
    • Soundstripe
    • Rhino Sliders
    • Library of Sound Effects
    • And more!

Exclusive discounts on video software including the Adobe suite, Red Giant, and others!

See you on the other side!

Keep improving yourself today with this “The Filmmaker’s Guide to Audio – Brenden Bytheway” course at only [$69]


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